Whilst a certain amp
and guitar will probably give you a sense of
achieving that, it's by no means the answer. OK, it's
great to sound like Hendrix and I may add takes a
hell of a lot of talent to do this, but unfortunately
it won't get you very far in the big game.
The main point is that
most of a player's sound is in their own fingers. If
you listen to Gary Moore, Hendrix, Stevie Ray and
other "greats", you'll hear that most of
them use a wide variety of sounds and effects, they
have many signature sounds.
If this is a
revelation to you, don't be too disheartened, because
it means that you have your own unique touch in your
own hands. But if you really must play like one of
your idols, getting a similar tone is only a small
part of the task. Expect to spend much more time
analysing not just what notes they played, but also
how they played them. We all have our own subtle
approach and techniques, like timing variations, note
attack, small bends and so on.
Certainly, many of us
could do worse than sounding like Hendrix. Whether
you like Hendrix' playing or not, he used the guitar
in a radically different fashion than those before,
and he was one of a handful of pioneers that
demonstrated many of the techniques we take for
granted today. But unless you're in a Hendrix cover
band, why would you want to play like Hendrix?
If you're planning to
emulate your guitar hero, learn from these great
masters, but apply those learnings to your own music.
For a start it's easier, but more importantly, its a
way of continuing their great work, and a way for you
to refine your own style and techniques.
Seriously copying a
single artist in fine detail does not ultimately say
anything new, and wastes the time you could use to
develop your own character.
Start taping every jam
you have, whether it's practising along with a
backing track or with a band. Listen to it the next
day as you will discover 1 or 2 riffs you played by
accident that you didn't pick up on at the time -
learn those accidents. Do this continously and you
will start to "catalogue" a series of your
own riffs to use for your improvisations.
You'll find you'll
start moving away from the "you gotta use this
new amp or pedal...you'll sound like Hendrix"
syndrome (usually hyped by clever marketing
professionals) and start discovering yourself as an
individual player on the field, thus giving yourself
an edge.
Appreciate and respect
the great guitarists you admire, but search for your
own thing.