GENERAL CARE:
The first thing to remember is to devote a couple of
post-practice moments to wiping the guitar down.
Concentrate on everywhere your hands come into
contact with your guitar. You'll need to wipe the
strings, fingerboard, machineheads and bridge to
remove any grease, acid and general debris... more
commonly known as... crap!
Fingers produce destructive moisture
that will reduce the life of your strings. So wipe
over the strings and fingerboard after each practice.
A soft cloth without loose fibres, such as an old
cotton T shirt, is perfect. Slip the cloth between
string and fingerboard to remove moisture from
underneath the string then air the guitar for five
minutes before returning to the case. Lay a cloth
over the strings when you store the guitar.
Silicone-based preparations like Fast Fret are great
for refreshing strings on a guitar that hasn't been
played for a while. Wipe the wand along each string
in turn then remove any excess with the soft cloth.
If too much Fast Fret is left on the strings it'll
feel pretty strange, a really light application is
great for bringing strings back to life. A little
household furniture polish (not aerosol) on a soft
cloth will also do if you run out.
Keep the guitar in a case for maximum
protection against knocks, scratches and the effects
of your central heating. A gig bag is excellent for
carrying a guitar from car to gig. Use a hard case
whenever someone else transports your gear out of
your sight. Flightcased guitars are heavy to lift but
offer the best protection, especially in a van or
truck. Several guitars can be transported in one
large flightcased trunk.
TEMPERATURE EXTREMES:
One thing to be aware of is how temperature and
humidity affects your guitar. Extremes are not good
for guitars. A rule of thumb: if it feels too hot or
cold for you, it is probably too hot or cold for your
guitar. This is appropriate for electrics and
acoustics, but acoustics have thinner wood which can
be affected much easier. Often temperature extremes
will result in split wood, warped bodies, and necks
and can be much worse on acoustics.
Electrics will also warp, plus, certain
finishes will permanently cloud up, or crack if
exposed to a fast, extreme change in temperature. So
beware of temperature changes around your guitars.
The ideal temperature for a guitar is
between 70 and 75 degrees F, and the ideal humidity
is between 30 - 50% max. If you're travelling to a
gig on a hot or cold day, warm up or cool off your
car before putting your axe in it. Never put it in
the boot either, it's dangerous in many ways. Before
opening your guitar case, always let it settle to
room temperature. Judge this by running your hand
over the outside of the case, remember, you're only
looking to eliminate extremes. If your guitar must be
exposed to extreme temperatures, remove all tension
from the strings and allow it to return to a good
temperature before tuning it up again. Most of this
is common sense, but it helps to protect that great
guitar you spent your hard-earned money on.
TREMELO ARM:
Does your guitar's tremolo arm wobble
about? Doesn't stay where you put it, and flops
around like a turd in a piss-pot? There are two
solutions. One is to remove it, and throw it away.
But probably a better alternative is to use a tiny,
stiff spring that Fender includes on all American
strats. Your local Fender dealer can get these for
you (get a couple, they bolt for the door when you're
not looking).
Another quick and easy "floppy
tremolo arm" fix that works well with the
straight screw-in Strat type arms. If the thread has
become worn and loose so that the arm won't stay in a
convenient place, unscrew the arm completely. Then
take about 3cm of an old top E nylon string and place
this in the hole before screwing the arm back in. Try
to leave about 1 cm protruding from the hole so you
can remove it if necessary. The arm will be a little
difficult to screw in initially but once the first
few turns are completed the string will be deformed
into the worn thread and take up the slack, allowing
the arm to move freely, but remain wherever it is
placed.
STRING
SNAPPING:
If you have a particular string persistently
breaking, look for sharp edges on the hardware -
especially bridge saddles, nut and machine heads.
That's often the problem. Remove any sharp bit by
lightly rubbing with a piece of wet and dry - but
watch those plated and polished surfaces.
NOISY VOLUME/TONE POTS:
Go to your local electronics or hi-fi store and ask
for an electrical contact cleaner for cleaning noisy
variable resistors or potentiometers. The cleaner
doesn't conduct electricity, and will get rid of dust
and dirt etc. It'll leave your controls, switches
etc, crackle free and also works on effects pedals.
Electrical contact cleaner is also an electric
contact lubricant. That is, it cleans and also
lubricates to help stop wear of the control. Because
dirt and dust (and corrosion build up) get into the
control, the wiper doesn't contact the resistive
material all that well. By cleaning it with contact
cleaner, it helps the wiper to make better contact.
Just spray some cleaner into the pot cavity (where
the wiper is), and move the control back and forth,
and then clean again to remove any residue. It might
not eliminate the crackling sound completely, but
there'll be a vast improvement. If the control still
sounds scratchy, the control will probably need
replacing.
LOW VOLUME TIP:
If you have to practice or play at low volume levels
you just won't get the same great cranked-up sound,
so try using your distortion pedal (as you probably
would normally), but lower the pre-amp and tone
controls on your amp to 1, and crank the master up to
10.
See also: